SECTION 9. PERFORMATIVE MULTILEVEL ARTISTIC EXPRESSION AS AN ENERGY IMPULSE, MANIFESTATION, EXPERIENCE, PRESENCE, PROCESS

Анотація

Stage practices of the 21st centurya combination of technologies, social criticism and catharsis of everyday lifepractices of interaction and active intervention in the realities of life, comprehension of facts and formation of perspectives, stage practices that are consonant with the rhythm of modern society.Modern culture, which is aimed at globalization, forms a different type of worldview and world understanding, and as a result, it can be stated that in contrast to the trends of normativity and attention to the rules of expressiveness in the previous era, the 21st century is characterized by an excess of artistic searches, in-depth experimentation.Modern stage practices are a system in which genre hybridization, interpenetration of semantic landmarks, organic fusion or relatively free combination of various types of arts with non-artistic ones takes place.Performativity often becomes a feature of modern stage practices, introduced as a stream of creative experiments that appear on the basis of a postmodern artistic vision.Despite the rapid coverage of both the artistic and life space by performative practices, a clear insufficient research of this topic is evident, which makes its development more urgent.Constructive is considered not just a narrowly art-critical approach to the art practices of the modern art space, in particular, performative practices that are gaining mainstream definition, but also the reasons for their strong rooting.In other words, the broad involvement of the socio-cultural context in which their growing popularity and appearance in general became possible.Accordingly, the author sees a constructive methodological strategy of synthesis of art history and cultural approaches with problem-analytical approaches.The art and cultural analysis is drawn to the ideas formulated in the works of E.

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