UKRAINIAN AUTOFICTIONAL NOVEL OF THE 1990S AND EARLY 2000S

Анотація

since it was in France that this type of autobiographical literature was born.The autofictional novel has many features in common with traditional autobiography (first-person narration of an episode from one's own life, maximum merging of the images of the author, narrator and protagonist, the presence of verifiable autobiographies in the text, etc).However, in the autofictional novel, at the level of the preface (or the initial positions of the text), the reader is not entering into an "autobiographical agreement" ("le pacte autobiographique" in Philippe Lejeune's terminology), but into a "novel agreement" ("le pacte romanesque" in Philippe Lejeune's terminology), according to which the fictionalisation of the subsequent story and the failure to comply with the criterion of truthfulness of the narrative are indicated.The Ukrainian autofictional novel of the 1990s and early 2000s focused on creating an author's myth, primarily at the level of intimacy, because this is the most difficult aspect of human life to verify.The protagonists of Ukrainian autofictional novels of this period are placed in imaginary time-spaces, can act in fictional storylines, while openly fictional elements freely interact with plausible details from the life of a real author, who is identical in many respects to the image of the protagonist.

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